Howel; Burnside; Silverhill; Gregory and Low Milton
undated
9
unknown artist, nineteenth century
Milton
undated
10
unknown artist, nineteenth century
Torrs
undated
11
unknown artist
Culraven and Broadfield
undated
12
unknown artist
Townhead and Drummore
undated
13
unknown artist
Culdoch
undated
14
unknown artist
Senwick
undated
15
unknown artist
Mayfield
undated
16
unknown artist
Nuntons
undated
17
unknown artist
Little Kirkland
undated
18
unknown artist
Balgreddan and Whinny Liggate
undated
19
unknown artist
Netherthird
undated
20
unknown artist
Palmangan
undated
21
unknown artist
Bishopton
undated
22
unknown artist
Brouckleugh; Mickle Sypeland
undated
23
unknown artist
Whinny Liggate; Balgredan
undated
24
unknown artist
The Farm
undated
25
unknown artist
Bishopton
undated
26
unknown artist, nineteenth century
Tree
undated
27
unknown artist, nineteenth century
Moonlit Scene of Castle and Ships
undated
28
unknown artist, nineteenth century
Two Trees
undated
29
unknown artist, nineteenth century
Landscape with Waterfall
undated
30
unknown artist, nineteenth century
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
31
Stow, ca. 1835
A Small Villa
undated
32
unknown artist, nineteenth century
An Unidentified Country House: Side Elevation
undated
33
Sir William John Newton, 1785–1869, British
Design for the Rotunda, Ranelagh Gardens
undated
34
unknown artist
Old Mill of Twynhame
undated
35
John McKinlay, 19th century
Kirkeoch and Nunmill
undated
36
unknown artist, nineteenth century
Black - Stockarton
undated
37
John McKinlay, 19th century
Nuntons
undated
38
unknown artist
The Farm Consisting of Kirkland Drumcroy, Auchenfloor, Cannee, Barhill and Silvercraigs (formerly Nuntons)
undated
39
unknown artist
Bishopton
undated
40
unknown artist
Culdooch
undated
41
unknown artist, nineteenth century
Whinny Liggate; Balgreddan
undated
42
unknown artist
Meikle Sypeland; Brockcleugh
undated
43
unknown artist, nineteenth century
Balmangan
undated
44
unknown artist
Little Sypeland
undated
45
unknown artist
North Nunton; South Nunton
undated
46
unknown artist
Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
undated
47
unknown artist, nineteenth century
Shanklin Church/ Isle of Wight
undated
48
unknown artist, (Lord Beresford?)
View of Bedgebury Park - Garden Front
undated
49
unknown artist, nineteenth century
Little Sypeland
undated
50
unknown artist, nineteenth century
Back, Gata and North, Milton
undated
51
unknown artist, nineteenth century
Landscape with Pond
undated
52
unknown artist, nineteenth century
Battersea
undated
53
unknown artist, nineteenth century
South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
undated
54
George Sidney Shepherd, 1784–1862, British
The Haymarket Theatre
undated
55
Unknown artist, nineteenth century
Windsor Castle
undated
56
unknown artist
Design for the Interior of a Room
undated
57
Ensign Caldwell, c.1800
Prince of Wales Island, Penang
undated
58
unknown artist, nineteenth century
Indian Statue
undated
59
unknown artist, nineteenth century
Landscape with Smokestack
undated
60
unknown artist, nineteenth century
Croydon Church
undated
61
unknown artist, nineteenth century
Peter the Wild Boy
undated
62
unknown artist, nineteenth century
S. Simon Petrus
undated
63
unknown artist, nineteenth century
Design for a Wall Decoration
undated
64
unknown artist
A Regency House
undated
65
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
66
unknown artist
The Garden Front of Buckingham Palace
undated
67
unknown artist
The Garden of Buckingham Palace, seen from the terrace
undated
68
unknown artist, nineteenth century
View of London from Richmond House, Whitehall
undated
69
Studio of Sir Jeffry Wyatville, 1766–1840, British
Cottage at Belton House, Lincolnshire: Plan, Section and Elevations
undated
70
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
71
John Augustus Atkinson, 1775–1831, British
Fisherman Putting Out to Sea
between 1800 and 1810
72
John Glover, 1767–1849, British
St. Davids Head, Pembrokeshire
ca. 1805
73
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
74
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
75
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
76
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
77
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
78
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
79
unknown artist
Henry VII Chapel, Westminster Abbey
undated
80
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
81
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
82
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
83
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
84
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
85
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
86
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
87
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
88
unknown artist, nineteenth century
An Unidentified Country House: Back Elevation
undated
89
unknown artist, nineteenth century
An Unidentified Country House: Elevation of the Garden Front
undated
90
unknown artist, nineteenth century
An Unidentified Country House: First Floor Plan
undated
91
unknown artist, nineteenth century
An Unidentified Country House: Ground Floor Plan
undated
92
unknown artist, nineteenth century
An Unidentified Country House: Cellar Plan
undated
93
Henry Thomas Alken, 1785–1851, British
Grouse Shooting: The Wrong Sort
undated
94
Henry Thomas Alken, 1785–1851, British
Steeplechasing: Four Riders Taking a Ditch and an Oxer
undated
95
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
96
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
97
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
98
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
99
Henry Thomas Alken, 1785–1851, British
Foxhunting: The Toast
undated
100
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords