The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
2
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
3
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
4
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
5
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
6
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
7
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
8
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
9
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
10
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
11
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
12
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
13
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
14
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
15
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
16
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
17
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
18
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
19
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
20
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Plan of the Dairy
1794
21
William Hamilton, 1751–1801, British
A Dramatic Scene with Three Women in an Interior
1794
22
Richard Banks Harraden, 1778–1862, British
Pembroke College, Cambridge
undated
23
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of Dairy
1794
24
William Henry Pyne, 1769–1843, British
Cottage and Foot Bridge
1794
25
Sir Augustus Wall Callcott, 1779–1844, British
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
26
Charles Tomkins, 1757–1823, British
Shrewsbury House, Isleworth, Middlesex
undated
27
Charles Tomkins, 1757–1823, British
Seat of David Godfrey, Isleworth, Middlesex
undated
28
John Buckler FSA, 1770–1851, British
The Spanish Pointer
ca. 1799
29
Thomas Rowlandson, 1756–1827, British
A Military Escapade
between 1794 and 1800
30
Mary Smirke, 1779–1853, British
The Temple near Brighton
undated
31
Samuel Howitt, 1756–1822, British
Coursing: Setting Out
1794
32
Samuel Howitt, 1756–1822, British
Coursing: The Kill
1794
33
Samuel Ireland, active 1760–died 1800, British
Rolls Chapel
between 1794 and 1800
34
Samuel Ireland, active 1760–died 1800, British
Staple Inn
between 1794 and 1800
35
Samuel Ireland, active 1760–died 1800, British
The Inner Temple
between 1794 and 1800
36
Samuel Ireland, active 1760–died 1800, British
Guildhall
between 1794 and 1800
37
Samuel Ireland, active 1760–died 1800, British
Gray's Inn
between 1794 and 1800
38
Samuel Ireland, active 1760–died 1800, British
Currier's Hall
between 1794 and 1800
39
Samuel Ireland, active 1760–died 1800, British
Middle Temple Gate
between 1794 and 1800
40
Samuel Ireland, active 1760–died 1800, British
Clement's Inn
between 1794 and 1800
41
Samuel Ireland, active 1760–died 1800, British
Lincoln's Inn Gate
between 1794 and 1800
42
Samuel Ireland, active 1760–died 1800, British
Blacksmith's Hall
between 1794 and 1800
43
Samuel Ireland, active 1760–died 1800, British
Southwest View of Middle Temple
between 1794 and 1800
44
Samuel Ireland, active 1760–died 1800, British
Sergeant's Inn
between 1794 and 1800
45
Samuel Ireland, active 1760–died 1800, British
Barber's Hall
between 1794 and 1800
46
Samuel Ireland, active 1760–died 1800, British
Furnival's Inn
between 1794 and 1800
47
Samuel Ireland, active 1760–died 1800, British
New Inn
between 1794 and 1800
48
Samuel Ireland, active 1760–died 1800, British
Garden Front of Weaver's Hall
between 1794 and 1800
49
Samuel Ireland, active 1760–died 1800, British
Brewer's Hall
between 1794 and 1800
50
Samuel Ireland, active 1760–died 1800, British
Barnard's Inn
between 1794 and 1800
51
Samuel Ireland, active 1760–died 1800, British
Joiner's Hall
between 1794 and 1800
52
Samuel Ireland, active 1760–died 1800, British
Dyer's Hall
between 1794 and 1800
53
Samuel Ireland, active 1760–died 1800, British
Temple Church
between 1794 and 1800
54
Samuel Ireland, active 1760–died 1800, British
Lion's Inn
between 1794 and 1800
55
Samuel Ireland, active 1760–died 1800, British
Garden Front of Stationer's Hall
between 1794 and 1800
56
Samuel Ireland, active 1760–died 1800, British
Tallow Chandler's Hall
between 1794 and 1800
57
Samuel Ireland, active 1760–died 1800, British
North Front of Temple Hall
between 1794 and 1800
58
Samuel Ireland, active 1760–died 1800, British
Painter's Hall
between 1794 and 1800
59
Samuel Ireland, active 1760–died 1800, British
Clifford's Inn
between 1794 and 1800
60
Samuel Ireland, active 1760–died 1800, British
Lincoln's Inn Hall and Chapel
between 1794 and 1800
61
Thomas Girtin, 1775–1802, British
Glasgow Cathedral
between 1794 and 1795
62
Attributed to Gangaram Chintaman Tambat, active 1790s, Indian
Portrait of a Priest of the Borahs [Bohras]
1794
63
Samuel Ireland, active 1760–died 1800, British
Drawings for "Picturesque Views with an Historical Account of the Inns of Court in London and Westminster," London, 1800, Plus Eleven Unpublished Drawings