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Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851, British
Ship Aground Brighton
1830
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851, British
Andernach
1817
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
William Blake Jerusalem, Plate 31, "His western heaven...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 31, "His western heaven...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 77, "To the Christians...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827, British
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Laodicea
ca. 1750
Humphry Repton West Hill, the seat of D.H. Rucker
Humphry Repton, 1752–1818, British
West Hill, the seat of D.H. Rucker
undated
Sir James Guthrie Landscape with Trees
Sir James Guthrie, 1859–1930, British
Landscape with Trees
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919, British
Romney Marsh
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919, British
Romney Marsh
undated
William P. Sherlock View Across the Thames for Greenwich Park
William P. Sherlock, c.1780–1850
View Across the Thames for Greenwich Park
1795
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841, British
A Mountain Landscape with a Shepherd
undated
Benjamin West A Squall off a Mountainous Coast
Benjamin West, 1738–1820, American, active in Britain (from 1763)
A Squall off a Mountainous Coast
undated
Henry Haseler Sidmouth from Offshore
Henry Haseler, active 1814–1825
Sidmouth from Offshore
ca. 1815
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821, British
The River Avon: with Passing Vessels
1785
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821, British
The Ranger, Private Ship of War, with her Prizes
1780
George Barret Jr. The Needles from Alum Bay
George Barret Jr., 1767–1842, British
The Needles from Alum Bay
undated
Sir James Thornhill Design for a Mythological Scene, with Jupiter and Juno
Sir James Thornhill, 1675–1734, British
Design for a Mythological Scene, with Jupiter and Juno
undated
Dominic Serres Shipping in Southampton Water, off Calshott Castle
Dominic Serres, 1722–1793, French, active in Britain (from the 1750s)
Shipping in Southampton Water, off Calshott Castle
undated
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854, British
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854, British
Christ Stilling the Tempest
undated
Samuel Owen Ships on a Stormy Sea
Samuel Owen, 1768–1857, British
Ships on a Stormy Sea
1836
Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast
Samuel Owen, 1768–1857, British
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
Henry Monro A Wooded Track
Henry Monro, 1791–1814, British
A Wooded Track
1813
Jacob More A View at Terracina
Jacob More, 1740–1793, British
A View at Terracina
1778
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818, British
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813, British
Design for an Unidentified Country House
ca. 1800
Paul Nash Landscape
Paul Nash, 1889–1946, British
Landscape
undated
James Ward Snowdon, an Approaching Storm
James Ward, 1769–1859, British
Snowdon, an Approaching Storm
1853
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734, British
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874, British
View Near Arundel Castle
1823 and 1874
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812, German, active in Britain (1754–1812)
Road Between Hills
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814, British
High Street at Bushey, Hertfordshire
1812
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782, British
A Prospect of Vapourland
1759
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831, British
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
Thomas Girtin View of Rochester
Thomas Girtin, 1775–1802, British
View of Rochester
1791
Thomas Girtin Harrow-on-the-Hill, Middlesex
Thomas Girtin, 1775–1802, British
Harrow-on-the-Hill, Middlesex
ca. 1794
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802, British
Rochester, Kent: from the North
ca. 1790
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802, British
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west
Thomas Girtin, 1775–1802, British
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802, British
The New Walk, York
ca. 1798
Sir Jeffry Wyatville Windsor Castle, Berkshire: South-Facing View of the Upper Ward
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: South-Facing View of the Upper Ward
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: North-Facing View of the Upper Ward
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: North-Facing View of the Upper Ward
ca. 1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: Distant View from the South
ca. 1830
Sir William Chambers Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Sir William Chambers, 1723–1796, British
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
unknown artist Cumberland Landscape
unknown artist, eighteenth century
Cumberland Landscape
undated
Samuel Hieronymus Grimm Haverfordwest, Pembrokeshire
Samuel Hieronymus Grimm, 1733–1794, Swiss
Haverfordwest, Pembrokeshire
1791
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Drawing for a Frontispiece: "The Toast"
1735
Samuel Atkins Ships of the Line off Dover
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Ships of the Line off Dover
undated
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
undated
Thomas Gainsborough Coastal Scene with Figures and Boats
imitator of Thomas Gainsborough, 1727–1788, British
Coastal Scene with Figures and Boats
undated
John Glover St. Davids Head, Pembrokeshire
John Glover, 1767–1849, British
St. Davids Head, Pembrokeshire
ca. 1805
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780, British
Stable Boy Holding a Horse in a Landscape
undated
John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Harpies Attacking the Daughters of Pandarus
1848