Medium: aquatint / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: genre subject

Print made by Charles Catton the elder RA, 1728–1798, British

The Margate Hoy

1785

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Promenade on the Ramparts of Nantes

undated

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

1797

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Marie C. Prestel, 1747–1794, German

A Country Churchyard. Verse from Gray's Elegy

1790

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Luigi Schiavonetti, 1765–1810, Italian

New Mackrel

1795

Giovanni Vendramini, 1769–1839, Italian

Old Chair to Mend

1795

Giovanni Vendramini, 1769–1839, Italian

Knives, Sissors and Razors to Grind

1795

Giovanni Vendramini, 1769–1839, Italian

Fresh gathered Peas. Young Hastings

1795

Anthony Cardon, 1772–1813, Flemish

Do you want any Matches?

1794

Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China!

1794

Luigi Schiavonetti, 1765–1810, Italian

Two bunches a penny Primroses, two bunches a penny

1793

Anthony Cardon, 1772–1813, Flemish

Round and Sound Five Pence a Pund Duke Cherry's

1795

Luigi Schiavonetti, 1765–1810, Italian

Milk Below Maids

1793

Giovanni Vendramini, 1769–1839, Italian

Strawberries's Scarlet Strawberries

1795

Thomas Gaugain, 1748–1812, French

Turnips and Carrots

1797

Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot

1796

Print made by George Cruikshank, 1792–1878, British

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton

1813

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Print made by Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Print made by Niccoló Schiavonetti, 1771–1813, Italian

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberrys

1795

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Print made by George Cruikshank, 1792–1878, British

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by Robert Havell & Son, 1769–1832, British

View of the Front of the New Public Buildings, Guildford

1819

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Valentine Green, 1739–1813, British

St. Augustine's Gate, Canterbury

1779

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberries

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Old Chairs to Mend

1795

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissars, and Razors to Grind

1795

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Print made by Niccoló Schiavonetti, 1771–1813, Italian

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Highland Dancers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Paul Sandby, 1731–1809, British

The Romans Polite to Strangers

ca. 1781

Thomas Rowlandson, 1756–1827, British

Undertakers Regaling

1801

John Hassell, 1767–1825, British

View of Sion House from the Banks of the Thames

1799

Robert Havell, 1769–1832, British

Clifton Spring and Woods near Maidenhead

1818

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Imitator of George Baxter, 1804–1867, British

The Bride, Paul and Virginia, the Chalees Satoon, East India

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Bradshaw & Blacklock, active ca.1850, British

Returning from the Spring. Virginia

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Paul Sandby, 1731–1809, British

The Opening of the Carnival at Rome

ca. 1781

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

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Medium aquatint

Credit Line Yale Center for British Art, Paul Mellon Collection

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